Reviews
Lancaster Skies - Review
Movie Music International
"...LANCASTER SKIES is a stunningly powerful work, and one that collectors will return to many times, this is one for your collection...."
jonman492000.wordpress.com/2019/02/23/lancaster-skies/?fbclid=IwAR0J7nRRruMvFrDAB2fxuUWwfqUhHO7aT7JVS9HDPWiJeQhywyrdrhzwZWg
Movie Music International
"...LANCASTER SKIES is a stunningly powerful work, and one that collectors will return to many times, this is one for your collection...."
jonman492000.wordpress.com/2019/02/23/lancaster-skies/?fbclid=IwAR0J7nRRruMvFrDAB2fxuUWwfqUhHO7aT7JVS9HDPWiJeQhywyrdrhzwZWg
DOGGED - Review
Movie Music International
"...The score by composer James Griffiths falls into the category of being superb. It is a classy and totally absorbing soundtrack..."
https://jonman492000.wordpress.com/2018/09/23/dogged/
Movie Music International
"...The score by composer James Griffiths falls into the category of being superb. It is a classy and totally absorbing soundtrack..."
https://jonman492000.wordpress.com/2018/09/23/dogged/
DOGGED - Review
soundtrackdreams.com
"...James Griffiths is not shy about those sound effects that brutally strangle the melodies and this creates a contrasting effect in his score; I like how the composition is constructed, I enjoy this duality and I get lost in those piano and string motifs, moody and reflective, before the short circuits throw me out..."
https://www.soundtrackdreams.com/2018/08/soundtrack-review-dogged-james-griffiths-2018/
soundtrackdreams.com
"...James Griffiths is not shy about those sound effects that brutally strangle the melodies and this creates a contrasting effect in his score; I like how the composition is constructed, I enjoy this duality and I get lost in those piano and string motifs, moody and reflective, before the short circuits throw me out..."
https://www.soundtrackdreams.com/2018/08/soundtrack-review-dogged-james-griffiths-2018/
DOGGED - Review
buysoundtraxcom
"...The score is a hauntingly textural one which mixes a reflective solo piano motif supported by assertive melodic measures from a string quartet; these delicate acoustic reflections are then offset by some truly disturbing and scary hybrid musical designs; the score by itself is a deliciously frightening listening experience and the contrast between the acoustic and the electrifying synthetic designs creates a marvelously horrific musical statement that keeps the listener abrasively on edge..."
"...Griffith’s DOGGED score is a powerhouse of a horror score, brilliantly embracing the listener/viewer in its sonic textures and defining the musical identity of what has become known as “folk horror..."
http://buysoundtrax.com/larsons_soundtrax-7-25-18.html
buysoundtraxcom
"...The score is a hauntingly textural one which mixes a reflective solo piano motif supported by assertive melodic measures from a string quartet; these delicate acoustic reflections are then offset by some truly disturbing and scary hybrid musical designs; the score by itself is a deliciously frightening listening experience and the contrast between the acoustic and the electrifying synthetic designs creates a marvelously horrific musical statement that keeps the listener abrasively on edge..."
"...Griffith’s DOGGED score is a powerhouse of a horror score, brilliantly embracing the listener/viewer in its sonic textures and defining the musical identity of what has become known as “folk horror..."
http://buysoundtrax.com/larsons_soundtrax-7-25-18.html
68 Kill - Review
Soundtrackdreams.com
"...I am happy to hear right away a composition that puts order in that chaos and gives me a coherent and rewarding listening experience. Part Western, part ambient and even part scary in the more suspenseful moments, “68 kill” is always fun and interesting to hear..."
http://www.soundtrackdreams.com/2017/10/soundtrack-review-68-kill-frank-ilfman-james-griffiths-2017/
Soundtrackdreams.com
"...I am happy to hear right away a composition that puts order in that chaos and gives me a coherent and rewarding listening experience. Part Western, part ambient and even part scary in the more suspenseful moments, “68 kill” is always fun and interesting to hear..."
http://www.soundtrackdreams.com/2017/10/soundtrack-review-68-kill-frank-ilfman-james-griffiths-2017/
Darkwave: Edge Of The Storm - Review
UKFilmReview.com
..."Any good sci-fi film needs a talented composition. The score very often being crucial in settling the audience into the world being presented to them, as it is a subtle way of influencing their viewing experience. Darkwave: Edge of the Storm has a superb score. The music compliments the adventurous tone of the story, as well as the poignant loneliness of these characters in a dangerous and tumultuous setting. Throughout the film, never once was I jolted out of the movie by a misplaced note or poorly chosen instrument..."
http://www.ukfilmreview.co.uk/single-post/2016/09/27/Darkwave-Edge-of-the-Storm
UKFilmReview.com
..."Any good sci-fi film needs a talented composition. The score very often being crucial in settling the audience into the world being presented to them, as it is a subtle way of influencing their viewing experience. Darkwave: Edge of the Storm has a superb score. The music compliments the adventurous tone of the story, as well as the poignant loneliness of these characters in a dangerous and tumultuous setting. Throughout the film, never once was I jolted out of the movie by a misplaced note or poorly chosen instrument..."
http://www.ukfilmreview.co.uk/single-post/2016/09/27/Darkwave-Edge-of-the-Storm
Darkwave: Edge of The Storm - Review
X - Geeks
...The soundtrack was truly beautiful, adding and enhancing keys moments throughout the film. Whether it was a scene of raw emotion or intense action, the music perfectly captured the visual imagery and helped to evoke a range of emotions whilst watching the film...
https://xgeeks.co.uk/2016/09/23/darkwave-edge-of-the-storm-review/
X - Geeks
...The soundtrack was truly beautiful, adding and enhancing keys moments throughout the film. Whether it was a scene of raw emotion or intense action, the music perfectly captured the visual imagery and helped to evoke a range of emotions whilst watching the film...
https://xgeeks.co.uk/2016/09/23/darkwave-edge-of-the-storm-review/
THE DRIFT / Darkwave: Edge of The Storm - Review
IFMCA Writer: John Mansell
"...THE APPROACH SUITE is one of my personal favourites from the score it is filled with drama and becomes a powerhouse piece with the composer adding more percussion driving low strings and brass, at times it evoked memories of John Williams IMPERIAL MARCH but just fleetingly giving the cue an air of dread and greater urgency..."
https://jonman492000.wordpress.com/2016/05/02/the-driftdark-wave-edge-of-the-storm/
IFMCA Writer: John Mansell
"...THE APPROACH SUITE is one of my personal favourites from the score it is filled with drama and becomes a powerhouse piece with the composer adding more percussion driving low strings and brass, at times it evoked memories of John Williams IMPERIAL MARCH but just fleetingly giving the cue an air of dread and greater urgency..."
https://jonman492000.wordpress.com/2016/05/02/the-driftdark-wave-edge-of-the-storm/
The Hunting of Lost Characters - Review
IFMCA Writer: Mihnea Mandatuanu
"When I hear the first cue of "The Hunting of Lost Characters" I smile affectionally because this is one of those sounds I could never get tired of..."
"...I am happy to find once again that unique freshness in the music of James Griffiths..."
http://www.soundtrackdreams.com/2015/10/soundtrack-review-the-hunting-of-lost-characters-short-james-griffiths-2015/
IFMCA Writer: Mihnea Mandatuanu
"When I hear the first cue of "The Hunting of Lost Characters" I smile affectionally because this is one of those sounds I could never get tired of..."
"...I am happy to find once again that unique freshness in the music of James Griffiths..."
http://www.soundtrackdreams.com/2015/10/soundtrack-review-the-hunting-of-lost-characters-short-james-griffiths-2015/
'THE DRIFT' - Review
IFMCA Writer: Jorn Tilnes
93 / 100
"The Drift is the best score that no one has heard. Really, you need to look beyond the mainstream and find gems like this…...There is beauty out there, gems that needs to be discovered and listened to because it can bring us experiences like this…... It’s too good to be missed."
http://www.soundtrackgeek.com/v2/soundtrack-review-the-drift
IFMCA Writer: Jorn Tilnes
93 / 100
"The Drift is the best score that no one has heard. Really, you need to look beyond the mainstream and find gems like this…...There is beauty out there, gems that needs to be discovered and listened to because it can bring us experiences like this…... It’s too good to be missed."
http://www.soundtrackgeek.com/v2/soundtrack-review-the-drift
'THE DRIFT' - Review
IFMCA Writer: Mihnea Manduteanu
90 / 100
"Every now and then I need to hear a score like this one. I need to hear music that I can just enjoy without thinking and analyzing it too much. This is simply great film music. There’s nothing else to say about it. There’s no down time, no drop in quality. “The drift” keeps me engaged and invested in it for the entire hour and when it’s over I feel like I wanted more."
"…..It just cuts you into pieces with its strings before setting fire to whatever is left….."
“The drift” might be the best Sci-fi horror score I’ve heard since Brian Tyler’s “Alien vs Predator”. I’ll be keeping my ears opened for James Griffiths. Now I’ll go listen to this one again. And again. Until the beautiful and atmospheric “Closing credits”.
http://www.soundtrackdreams.com/2015/01/soundtrack-review-the-drift-james-griffiths-2014
IFMCA Writer: Mihnea Manduteanu
90 / 100
"Every now and then I need to hear a score like this one. I need to hear music that I can just enjoy without thinking and analyzing it too much. This is simply great film music. There’s nothing else to say about it. There’s no down time, no drop in quality. “The drift” keeps me engaged and invested in it for the entire hour and when it’s over I feel like I wanted more."
"…..It just cuts you into pieces with its strings before setting fire to whatever is left….."
“The drift” might be the best Sci-fi horror score I’ve heard since Brian Tyler’s “Alien vs Predator”. I’ll be keeping my ears opened for James Griffiths. Now I’ll go listen to this one again. And again. Until the beautiful and atmospheric “Closing credits”.
http://www.soundtrackdreams.com/2015/01/soundtrack-review-the-drift-james-griffiths-2014
'THE DRIFT' - Review
STARBURST MAGAZINE
"…brought to life by James Griffiths’ score, halfway between the screeching strings of Hitchcock’s Psycho and Kubrick’s matching of The Blue Danube to spaceships."
http://www.starburstmagazine.com/reviews/dvd-and-blu-ray-home-entertainment-reviews/10910-the-drift-dvd-review
STARBURST MAGAZINE
"…brought to life by James Griffiths’ score, halfway between the screeching strings of Hitchcock’s Psycho and Kubrick’s matching of The Blue Danube to spaceships."
http://www.starburstmagazine.com/reviews/dvd-and-blu-ray-home-entertainment-reviews/10910-the-drift-dvd-review
Directorial Testimonials & Interviews
Director / Producer: Darren Scales
"We don’t need to convince you of James’ ability, the music speaks for itself. He is a gifted composer, capable of many (if not all) genres. James was tasked with scoring ‘Time Slips’ (2015) (one of numerous Arcadia projects brought to life by James) - on short notice with a rapidly approaching deadline – he succeeded without any complications. James’ turn-around time is quite frankly, impressive. He is polite, patient and pro-active.
James’ love for music and film is obviously reflected in his work. Not only does he listen to instructions but successfully offers creative input, to the betterment of the product. What’s most important to us, is being able to trust someone with a project that we have invested so much time into – when a project is given to James, that trust is absolute.
There is a bright future waiting for James, one that we hope we’re a part of. With a view to maintaining our relationship, we recommend that you start one."
- Liam Swann, Director, Writer - Arcadia Film
James’ love for music and film is obviously reflected in his work. Not only does he listen to instructions but successfully offers creative input, to the betterment of the product. What’s most important to us, is being able to trust someone with a project that we have invested so much time into – when a project is given to James, that trust is absolute.
There is a bright future waiting for James, one that we hope we’re a part of. With a view to maintaining our relationship, we recommend that you start one."
- Liam Swann, Director, Writer - Arcadia Film
"James takes us on a subliminal journey emoting the secrets, fear and action throughout.....
...James’ outstanding score has skillfully blended all the components together... "
"...always a fun road working with such a gent and inspiring talent…"
- Darren Scales, Director/Producer - 'THE DRIFT'
Backyard Productions
2014
...James’ outstanding score has skillfully blended all the components together... "
"...always a fun road working with such a gent and inspiring talent…"
- Darren Scales, Director/Producer - 'THE DRIFT'
Backyard Productions
2014
"James’ skill, knowledge and talent for composing music really is astounding. You only have to listen to his scores to know that. We worked with James for a test scene of the upcoming feature film, ‘Resistance’. James caught the tension and heartache of our protagonist perfectly with a beautiful score.
As someone who directs films and loves watching film, when the score stands out, not to the extent that it takes over from everything else, but so the audience know it is there, that is when music composing is in its element. When you get that perfect balance, the music excites and engages the audience in such an amazing and emotional way that can truly make the moment stand out."
- Anthony Smith, Director
Red Pencil Productions
As someone who directs films and loves watching film, when the score stands out, not to the extent that it takes over from everything else, but so the audience know it is there, that is when music composing is in its element. When you get that perfect balance, the music excites and engages the audience in such an amazing and emotional way that can truly make the moment stand out."
- Anthony Smith, Director
Red Pencil Productions
Synchtank cover James, and 3 global DIY artists on their life and journey into the world of FIlm Music and Sync of Music to Motion Picture.
http://blog.synchtank.com/four-diy-musicians-on-scoring-sync-licenses
http://blog.synchtank.com/four-diy-musicians-on-scoring-sync-licenses
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©jamesgriffiths2018
